Guitarist Nita Strauss recently responded to criticism regarding her guitar performance. She addressed negative comments made about her playing abilities in a post shared on Instagram.
The response came after Strauss shared a video of her performance with Larissa Liveir during the Best of Blues and Rock festival. The video drew criticism from some viewers.
“They look so funny trying to play,” one critic commented.
Strauss addressed the criticism directly with her own response.
“If anyone needs me, I’ll just be over here trying to play,” Strauss said.
The criticism directed at Strauss reflects broader challenges faced by female musicians in rock and metal. Her track record speaks to her established credentials in the industry.
Wikipedia reported that Strauss became the first female signature artist with Ibanez guitars. She has her own model called the Ibanez JIVA and signature pickups developed specifically for her instruments. This partnership represents a significant milestone in guitar manufacturing. Signature models are typically reserved for the most accomplished and influential players in the industry.
Her commercial success has been equally impressive. Strings Direct noted that she became the first female rock solo artist in 32 years to top Billboard’s Mainstream Rock chart. This achievement cemented her status as a leading figure in modern rock music. This accomplishment broke a significant barrier in a male-dominated genre and demonstrated her ability to connect with mainstream rock audiences.
Strauss has built an extensive touring resume with major artists beyond her solo career. Her official biography revealed that she has toured with notable acts including Alice Cooper and Demi Lovato. This showcases her versatility across different musical styles and her reputation for technical skill and dynamic stage presence.
Her influence extends beyond performing. She has become a mentor figure in the guitar community. Louder Sound documented that she offers master classes worldwide and has inspired a new generation of guitar players, particularly young women entering rock and metal genres. This educational role has helped establish her as not just a performer but as an advocate for expanding diversity in guitar-driven music.
You can see Nita Strauss’ response to the critic via Instagram below.
