The Darkness frontman Justin Hawkins has defended Neil Young following criticism of the legendary musician’s recent Glastonbury performance. He addressed the negative reviews in a video posted on Justin Hawkins Rides Again.
Hawkins’ comments came in response to widespread media coverage criticizing Young’s headline set at the festival. The musician addressed the question “Has Glastonbury Become A TV Variety Show?” while defending his musical hero.
“Today, I’m talking one of my personal icons and some of the headlines following his recent appearance at Glastonbury, Neil Young,” Hawkins said. “Neil Young headlined Glastonbury last weekend leading to a mixed reaction on social media and in the mainstream press.”
Hawkins then referenced specific media coverage before offering his perspective on Young’s performance quality.
“‘Neil Young slammed for terrible Glastonbury set as angry viewers blamed sound issues,'” he said, reading from one headline. “Okay, there’s some footage of Neil Young playing live in where it’s just like unbelievable amount of energy, especially for somebody who is indeed in his 70s. But I think the other thing about Neil Young is it’s just a guy. It’s a guy with a band and an incredible selection of songs that resonate emotionally because he’s written them from the heart and he’s amazing.”
The guitarist drew comparisons to other rock legends to support his argument about authentic performance.
“Listen to anything, for example, that Led Zeppelin recorded throughout their time as Led Zeppelin,” Hawkins continued. “And you’ll notice that at no point does Robert Plant sing in tune. He’s either flat or is sharp, depending on how excited he is about the line he’s singing. It’s human. It’s amazing.”
“I think Neil Young invented a certain type of approach to rock and roll and whatever he does now, he’s a golden god,” he concluded. “None of this stuff is justified. This negative stuff is awful.”
The defense comes amid ongoing debate about the quality of live performances at major festivals and audience expectations.
Hawkins’ passionate defense of Young reflects the broader context surrounding the Canadian musician’s storied relationship with Glastonbury and his enduring influence on rock music.
Far Out Magazine reported that Young’s Glastonbury setlist featured a blend of his classic hits and recent works, including songs like Sugar Mountain, Cinnamon Girl, and the encore Rockin’ in the Free World, showcasing his enduring musical range. The performance marked Young’s return to Glastonbury for the first time since 2009. He had initially withdrawn over concerns about “corporate control” but ultimately decided to play.
Young’s complex history with the festival adds weight to Hawkins’ defense of the legendary performer. The 78-year-old musician has maintained his uncompromising artistic vision throughout his career. He often prioritizes authenticity over commercial appeal. His decision to return to Glastonbury after a 16-year absence demonstrated his lasting connection to the festival and its audience.
The Independent noted that Young’s set embodied a powerful blend of intense country rock with lyrical and emotional depth, drawing comparisons to iconic styles while still captivating a dedicated crowd despite mixed wider reactions. This assessment aligns with Hawkins’ perspective that Young’s authenticity transcends modern production expectations.
The controversy surrounding Young’s performance highlights the ongoing tension between artistic integrity and audience expectations at major festivals. Young’s approach to live performance has always emphasized raw emotion and musical honesty over technical perfection. This philosophy has defined his five-decade career and continues to influence musicians like Hawkins who view him as a foundational figure in rock music.
