Sebastian Bach recently shared his thoughts on Mötley Crüe singer Vince Neil and his performance after struggling with health issues, in an interview with The Metal Voice.
The former Skid Row frontman offered supportive comments about Neil’s continued touring despite facing health challenges.
“Well, I’m always gonna be a fan of that music no matter what, so… But I’m very happy for Vince. Vince Neil’s the singer of Mötley Crüe. And he’s been through having strokes and everything, and he’s still gonna be going on tour, so way to go, Vince,” Bach said.
Bach also revealed details about his past connection with Mötley Crüe during the same interview.
“Well, I was never in the band [Mötley Crüe], but I rehearsed with the band. I rehearsed with them, and Nikki [Sixx] asked me to join the band at the rehearsal in front of everybody. And then we had phone calls about that in the weeks after that, with Doug Thaler, the [then-Mötley Crüe] manager. And then it came down to the fact that Atlantic Records would not let that happen. So, nothing happened. But I definitely rehearsed with them, and there’s an MTV interview with them where they say the same thing,” he continued.
Bach’s comments about his near-recruitment to Mötley Crüe shed light on a pivotal moment in rock history that could have dramatically altered both bands’ trajectories.
WMMR reported that the rehearsal took place in 1992 when Mötley Crüe had fired Vince Neil due to personal differences. The band was actively seeking a replacement vocalist during this turbulent period in their career.
Arrow Lords of Metal revealed that Bach was driven to the rehearsal by drummer Tommy Lee. He spent a full day singing the Mötley Crüe set with the band. This intensive audition process demonstrated the seriousness of the band’s interest in bringing Bach aboard as their new frontman.
The timing of this potential collaboration was significant. Eddie Trunk noted that Mötley Crüe ultimately replaced Neil with John Corabi, who recorded the band’s 1994 self-titled album. This period marked one of the most experimental phases in Mötley Crüe’s discography, moving away from their glam metal roots.
Ultimate Guitar confirmed that Atlantic Records’ intervention prevented what could have been one of rock’s most intriguing lineup changes. Bach’s contractual obligations with his label ultimately kept him with Skid Row during their peak commercial period.
The comments highlight Bach’s ongoing respect for the band and Neil’s perseverance in continuing to perform.
