Falling in Reverse frontman Ronnie Radke has taken aim at Yungblud once again. This time, he commented on a news post by Rock Feed that revealed the British artist’s fully branded private jet.
Rock Feed posted a photo of Yungblud alongside his new private plane. His name was painted right across the side of the aircraft. Radke has previously mocked Yungblud’s rockstar image on multiple occasions, and he did not hold back in the comments.
“Silicon valley tech CEO funded punk rock liberator,” Radke wrote.
He then doubled down on his remarks, seemingly anticipating pushback from fans.
“This is true idk why people are mad. It’s actual truth,” Radke continued.
The comments mark yet another instance of Radke publicly questioning Yungblud’s authenticity as a rock artist. No response from Yungblud has been reported at this time.
Radke’s jab lands at a moment when Yungblud’s profile is arguably at its highest, making the timing of the criticism all the more pointed.
Yungblud recently announced plans for his own music festival, Bludfest. The move signals a growing independent business footprint rather than the kind of passive corporate reliance Radke’s comments imply. The festival announcement was made in a characteristically intimate fashion, consistent with the artist’s ongoing effort to maintain a direct connection with his fanbase.
Despite the optics of a branded private jet, Yungblud’s background is rooted firmly in the working class. His upbringing shaped his identity long before the trappings of global stardom arrived. He has never shied away from that origin — celebrating it rather than concealing it. That working-class foundation kept him grounded even as he became a tax exile and a jet-setter.
Radke’s “Silicon valley tech CEO” remark is not an isolated dig. He has made a habit of targeting Yungblud’s image over an extended period, consistently framing the British artist as a manufactured or externally propped-up version of a rock star. Each round of criticism has followed a similar pattern: a public comment, fan backlash, and Radke doubling down without apology.
The broader context of this ongoing friction reflects a wider debate within rock circles about authenticity, image, and who gets to define what a modern rock artist looks like. Yungblud’s rise — festival headliner, branded aircraft, and now his own festival — has made him a frequent target for those who question whether his punk-adjacent persona is earned or engineered.
Source: instagram.com/p/DaDsqvzEXyQ
