Sharon Osbourne recently responded to Roger Waters’ remarks about Ozzy Osbourne and Black Sabbath’s music. She shared her strong criticism of the Pink Floyd co-founder on The Osbournes.
Osbourne’s comments were directed at Waters’ dismissive attitude toward Ozzy’s legacy. She characterized Waters as lacking the qualities that made her husband a cultural icon.
“[Ozzy] was one of those charismatic people that people were just drawn to. He just was so special. And that leads me on to somebody who is not special. That is probably one of the most twisted, sick individuals I’ve come across in years. Roger the Dodger or the Lodger? He has no charisma, okay? He looks like Frankenstein,” Osbourne said.
She continued her critique by describing Waters as irrelevant and envious of Ozzy’s enduring influence.
“The guy is sick in the head. He is not relevant in today’s world. Nobody likes him. This is not just us. Nobody likes this man. Unless you’re a fascist. He’s boring. No charisma. He’s got no stage presence. Oh my God. Envious. I mean, envious. And he’s just a bad seed. A bad irrelevant bad seed. And he’s in his late years he’s trying to remain relevant,” she stated.
Osbourne expressed puzzlement at how Waters’ former bandmates tolerated working with him. She contrasted his demeanor with that of David Gilmour.
“Oh, he thinks he’s an anarchist. He’s just pathetic. The guy’s got nothing good in him. He’s just a pathetic lonely. I do not know how those guys in Pink Floyd put up with him as long as they did. David is the most gracious, warm person you could ever meet. He’s just a great great guy. How on earth did he manage to work alongside him?” she asked.
Osbourne concluded by characterizing Waters as a “sad, irrelevant old miserable human being” attempting unsuccessfully to remain relevant in contemporary culture.
Sharon’s defense of her husband’s legacy rests on substantial achievements that have solidified Ozzy’s place in rock history. Biography.com notes that Ozzy Osbourne has been inducted into the Rock and Roll Hall of Fame twice. He was inducted once with Black Sabbath in 2006 and again as a solo artist in 2024, highlighting his lasting impact on the music world across multiple decades.
Beyond his Hall of Fame recognition, Black Sabbath’s continued relevance is evident in their recent work. Britannica documents that Black Sabbath’s final studio album, 13, was released in 2013. This marked Ozzy’s first recording with the band since 1978 and earned them a Grammy Award for Best Metal Performance in 2014, underscoring the group’s continued influence and critical recognition.
The contrast between Ozzy’s achievements and Waters’ current standing in the music industry underscores Sharon’s point about relevance and cultural impact. Ozzy continues to be celebrated for his pioneering work in heavy metal and his successful solo career. Waters, meanwhile, has faced increasing criticism for his controversial political statements and divisive public persona in recent years.
Sharon’s passionate defense reflects the broader narrative of Ozzy’s resilience and cultural significance. Despite personal struggles and controversies throughout his career, Ozzy has maintained a devoted fanbase. He continues to influence new generations of musicians and fans, a testament to the charisma and talent that Sharon emphasized in her response.
