Nova Twins’ Amy Love Defends Musicians Turning to OnlyFans to Survive Touring

Jamie Collins
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Jamie Collins
Jamie serves as our Cultural Historian, focusing on the social impact, career milestones, and cultural significance of the 80s and 90s rock scene. He specializes in...
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Photo Credit: Justin Beckner

Nova Twins’ Amy Love recently defended musicians who turn to alternative income sources like OnlyFans to survive the financial challenges of touring. She addressed the harsh realities of the music industry in an interview with Kerrang.

Love’s comments specifically referenced musician Kate Nash’s public disclosure about using OnlyFans to cover touring expenses. This highlighted the dire financial state many artists face.

“Shout-out to her for literally stepping up to the government publicly and being like, ‘Yeah, I’m selling pictures of my arse to make ends meet,'” Love said. “That’s the reality.”

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The Nova Twins frontwoman elaborated on the specific financial pressures that make touring increasingly difficult for musicians.

“The transport alone is ridiculous,” she continued. “There was a time where you could reach a certain level and get a sleeper bus. But the cost of that goes up, and suddenly the route doesn’t become viable anymore. You can’t really do some drives in a splitter van, because the distance is too long, and you’ll have a burnt-out band at the end of it.”

Love’s statements shed light on the broader crisis facing touring musicians as costs continue to rise while revenue streams remain limited.

Nash’s situation exemplifies the financial struggles many artists face in today’s music industry. Rolling Stone UK reported that Nash launched her “Butts 4 Tour Buses” OnlyFans account last month, charging $9.99 monthly. She solved her tour funding issues in just seven days by earning more in one week than from a month of Spotify streams.

The specific financial losses Nash faced highlight the severity of touring costs. The Times noted that Nash cited losing £26,000 on her recent European tour and £13,000 on her UK dates due to rising costs like travel, post-Brexit EU regulations, crew wages, and production—estimated at $10,000 per show.

Nash’s case reflects a broader trend among musicians seeking alternative income sources. The Independent revealed that a survey of nearly 6,000 UK performers found half earn under £14,000 yearly from music. This has fueled a trend where artists like Lily Allen also turn to OnlyFans for feet photos, out-earning Spotify streams.

The disparity between streaming revenue and alternative platforms has become increasingly stark for artists. Rolling Stone UK explained that OnlyFans pays creators 80 percent of their earnings, as opposed to Spotify paying artists between $0.003 and $0.005 per stream. This makes alternative platforms significantly more lucrative for many musicians.

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